Classic Short Story, 1870-1925 : Theory of a Genre.

Yazar:Goyet, Florence
Katkıda bulunan(lar):Freccero, Yvonne
Materyal türü: KonuKonuYayıncı: Cambridge : Open Book Publishers, 2014Telif hakkı tarihi: �2014Tanım: 1 online resource (223 pages)İçerik türü:text Ortam türü:computer Taşıyıcı türü: online resourceISBN: 9781909254770Konu(lar): Literature -- History and criticism -- Theory, etc | Literature -- Philosophy | Literary form -- HistoryTür/Form:Electronic books.Ek fiziksel biçimler:Print version:: Classic Short Story, 1870-1925DDC sınıflandırma: 801.95 LOC classification: PN441 -- .G694 2014ebÇevrimiçi kaynaklar: Click to View
İçindekiler:
Intro -- Table of Contents -- Acknowledgements -- Introduction -- PART I: STRUCTURE -- 1. Paroxystic Characterisation -- Extremes in the fantastic short story -- 2. Antithetic Structure -- Secondary tensions -- Editing antithetic tension: Maupassant and James -- 3. Ending with a Twist -- The "twist-in-the-tail" and antithetic tension -- The "Twist-in-the-tail" and retroreading -- "Open" texts and tension -- 4. The Tools of Brevity -- Preconstructed material -- Character types -- Recurring characters and empty characters -- Tight focus -- Permanence of types -- 5. Conclusion to Part I -- Hypotyposis and schematisation -- Short stories, sensational news items and serials -- The short story: privileged object of narratology -- PART II: MEDIA -- 6. Exoticism in the Classic Short Story -- The role of the press -- Exotic subjects -- The constraints of the newspapers -- Exceptions to the rule -- 7. Short Stories and the Travelogue -- Praise of nature, criticism of culture -- From vision to judgement: guidelines for description -- PART III: READER, CHARACTER AND AUTHOR -- 8. A Foreign World -- An explicit distance -- The use of types: subversion or immersion? -- "Deceptive representations" of reality -- The great man -- "We are simply the case": James and abstract entities -- Reading at face value: the double distance -- 9. Dialogue and Character Discreditation -- Direct and indirect speech: Verga's novel versus short stories -- Dialect and distancing -- Foreign terms -- 10. The Narrator, the Reflector and the Reader -- Unreliable narrators and reflectors -- Reliable narrators and reflectors -- 11. Distance and Emotion -- The short story with a dilemma -- Readers' emotional response to the classic short story -- 12. Conclusion to Part III: Are Dostoevsky's Short Stories Polyphonic? -- Epilogue: Beyond the Classic Short Story.
Lengthy stories: the long Yvette after the brief Yveline -- Fantastic tales: the deconstruction of the self -- Authors at a crossroads -- Bibliography -- Index.
Bu kütüphanenin etiketleri: Kütüphanedeki eser adı için etiket yok. Etiket eklemek için oturumu açın.
    Ortalama derecelendirme: 0.0 (0 oy)
Bu kayda ilişkin materyal yok

Intro -- Table of Contents -- Acknowledgements -- Introduction -- PART I: STRUCTURE -- 1. Paroxystic Characterisation -- Extremes in the fantastic short story -- 2. Antithetic Structure -- Secondary tensions -- Editing antithetic tension: Maupassant and James -- 3. Ending with a Twist -- The "twist-in-the-tail" and antithetic tension -- The "Twist-in-the-tail" and retroreading -- "Open" texts and tension -- 4. The Tools of Brevity -- Preconstructed material -- Character types -- Recurring characters and empty characters -- Tight focus -- Permanence of types -- 5. Conclusion to Part I -- Hypotyposis and schematisation -- Short stories, sensational news items and serials -- The short story: privileged object of narratology -- PART II: MEDIA -- 6. Exoticism in the Classic Short Story -- The role of the press -- Exotic subjects -- The constraints of the newspapers -- Exceptions to the rule -- 7. Short Stories and the Travelogue -- Praise of nature, criticism of culture -- From vision to judgement: guidelines for description -- PART III: READER, CHARACTER AND AUTHOR -- 8. A Foreign World -- An explicit distance -- The use of types: subversion or immersion? -- "Deceptive representations" of reality -- The great man -- "We are simply the case": James and abstract entities -- Reading at face value: the double distance -- 9. Dialogue and Character Discreditation -- Direct and indirect speech: Verga's novel versus short stories -- Dialect and distancing -- Foreign terms -- 10. The Narrator, the Reflector and the Reader -- Unreliable narrators and reflectors -- Reliable narrators and reflectors -- 11. Distance and Emotion -- The short story with a dilemma -- Readers' emotional response to the classic short story -- 12. Conclusion to Part III: Are Dostoevsky's Short Stories Polyphonic? -- Epilogue: Beyond the Classic Short Story.

Lengthy stories: the long Yvette after the brief Yveline -- Fantastic tales: the deconstruction of the self -- Authors at a crossroads -- Bibliography -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

yorum yazmak için.

Ziyaretçi Sayısı

Destekleyen Koha