Intro -- Contents -- Notes on Contributors -- Introduction: Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity -- Works Cited -- PART I Opening out the Copyright Debate: Open Access, Ethics and Creativity -- 1. A Statement by The Readers Project Concerning Contemporary Literary Practice, Digital Mediation, Intellectual Property, and Associated Moral Rights -- Works Cited -- 2. London-Havana Diary: Art Publishing, Sustainability, Free Speech and Free Papers -- Works Cited -- 3. The Ethics of Emergent Creativity: Can We Move Beyond Writing as Human Enterprise, Commodity and Innovation? -- Creative Industries -- Relational and Distributed Authorship -- Open Access and the Ethics of Care -- Posthuman Authorship -- Emergent Creativity -- Conclusion -- Works Cited -- 4. Are Publishers Worth it? Filtering, Amplification and the Value of Publishing -- Publishers in Peril… -- Case Study: Meet Jacob Tonson, 'Prince of Publishers' -- a Model for Publishing -- Too Much to Read -- Two Challenges -- 5. Who Takes Legal Responsibility for Published Work? Why Both an Understanding and Lived Experience of Copyright Are Becoming Increasingly Important to Writers -- Background: An Assumption of Ignorance on the Part of the Self-Published -- The Growth of Contract Checking and Legal Services for Independent Authors -- Academic Publishing -- Implications for the Wider Creative Economy -- 1. Informed Authors -- 2. Competition for Reader Attention -- 3. Self-Publishing Authors Display the Characteristics Needed by Publishers Today -- Works Cited -- 6. Telling Stories or Selling Stories: Writing for Pleasure, Writing for art or Writing to Get Paid? -- Digital Disruption of Traditional Publishing Models -- Self-Published Marketplace Impacting on Traditional Publishing -- The Squeeze of the Mid-List -- 'Quality' and Critical Acclaim.

China and Online Reader/Writer Communities -- Diversity -- Works Cited -- 7. Copyright in the Everyday Practice of Writers -- 1. Introduction -- 2. Copyright, Creators, and the Green Party: A Public Spat -- 3. Copyright and Writers' Livelihoods -- A. Writers' Earnings -- B. The Negative Space of IP -- 4. The Role of Copyright in the Everyday Practice of Writers: IC Study -- 5. Internal Aspect of Copyright: Writers' Perspectives on Financial Return from Copyright -- A. Writers' Careers and Sources of Earnings -- B. Copyright Mattered, in Terms of Financial Return, to Those who Were Primarily Making a Living from Writing -- C. Copyright Also Mattered, in Terms of Financial Return, to Those who did not Primarily Make a Living from Writing -- D. Rights Matter in Sustaining Practices in the Digital Environment -- E. Concluding Remarks -- 6. Internal Aspect of Copyright: Writers' Perspectives on Ownership and Control of Economic Rights -- A. Hard-Fought Rights -- B. Rights Reversion -- C. Awareness of Rights and how to Exploit Them -- 7. External Aspect of Copyright -- 8. Conclusion -- Works Cited -- 8. Comics, Copyright and Academic Publishing: The Deluxe Edition -- Foreword -- Introduction -- Comics Scholarship and Clearing Rights -- What is 'a Work'? -- Insubstantial Copying -- Exceptions to Copyright -- Fair Dealing … -- … For the Purpose of Non-Commercial Research (CDPA s.29) -- … Or, for the Purpose of Criticism and Review (s.30(1)) -- Current Proposals for Reform [in 2013]: An Exception for Quotation -- Conclusion -- Works Cited -- Cases -- From the Sketchbook of Jason Mathis -- PART II Views From Elsewhere -- 9. Diversity or Die: How the Face of Book Publishing Needs to Change if it Is to Have a Future -- Works Cited -- 10. Writing on the Cusp of Becoming Something Else -- Iteration -- D�etournement -- Transparency -- Making Public.

Contributing to a Larger Cultural Project -- Something Else -- Works Cited -- 11. Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice) -- Authorship Replaces Authorship? -- Who has the Power to Appropriate? -- Authorship Defined by Market Value and Celebrity Status? -- De-Authoring -- Intellectual Property Obsession Running Amok? -- The Piracy Project - Multiple Authorship or 'Unsolicited Collaborations'? -- Practising Critique - Queering Institutional Categories -- Collective Authorship, Institutional Framing -- Our Relationships Felt Temporarily Transformed -- How Not to Assign Authorship? -- Works Cited -- 12. Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology -- Introduction -- Ethnomusicology, Anthropology and Open Access -- Open Access: Unity in Diversity -- Epistemologies, Definitions of Authorship and Publishing Ethics -- New Technologies, Open Access and the Potential for Increased Equity -- Copyright, Open Access and Ethnomusicology -- Conclusion: Suggested Ways of Engagement -- Works Cited -- 13. Show me the Copy! How Digital Media (Re)Assert Relational Creativity, Complicating Existing Intellectual Property and Publishing Paradigms -- Introduction -- Relational Creativity and Socio-Cultural Authorship -- Authorship, Control and Intellectual Property -- Digitization, Open Access and the (Re)Emergence of Relational Creativity -- Conclusion: Canada's 'Copyright Pentalogy' and the Affirmation of Fair Dealing -- Works Cited -- 14. Redefining Reader and Writer, Remixing Copyright: Experimental Publishing at if:book Australia -- Remixing Clarke -- if:book Australia -- Copyright and Medium -- Lifting the Veil, Inviting Contributions -- Grappling with the Remix as a Literary Act -- Early Experiments with Remix -- Rumours of my Death.

Audience as Co-Creator: Copyright Status of Audience Contributions -- Remix and Copyright Law in Australia -- Remix as an Experiment in Copyright -- Remixing the Law -- Works Cited -- APPENDIX: CREATe Position Papers -- 1. Publishing Industry -- Writers -- Readers -- A Meeting of Text and Technology -- 2. Is the Current Copyright Framework fit for Purpose in Relation to Writing, Reading and Publishing in the Digital Age? -- 3. Is the Current Copyright Framework fit for Purpose in Relation to Writing, Reading, and Publishing in the Digital Age? -- Technology as an Enabler of Copyright -- Rights are Based on law not Technology -- The Real aim of Copyright -- Conclusion -- 4. History of Copyright Changes 1710-2013 -- Changes to the law of Copyright -- 5. Is the Current Copyright Framework fit for Purpose in Relation to Writing, Reading, and Publishing in the Digital Age? -- List of Illustrations -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.