Intro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht D�urer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women -- 4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again -- 12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked -- 24. The Figure of Big Eater, and of One of Great Memory.

25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures -- 34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures -- 43. On the Diversity of Necks Appropriate to Different Figures -- 44. Diverse Cheeks Appropriate to Different Figures -- 45*. Diversity of Lips and Mouths Appropriate to Different Figures -- 45*. The Way to Form the Chin in Different Figures -- 46. On the Diversity of Noses Appropriate to Different Figures -- 47. On the Diversity of Faces Appropriate to Different Figures -- 48. On the Diversity of Eyes and Parts Nearby Appropriate to Different Figures -- 49. Which Face is Appropriate for Which Figure -- 50. On the Various Heads Appropriate to Different Figures -- 51. On the Diversity of Ears Appropriate to Different Figures -- 52. Which Hair Colors and Complexions Should Be Used for All Figures One Wants to Represent.

53. On the Eye Colors Appropriate to Different Figures -- 54. On the Eye Movement Appropriate to Different Figures -- 55. On the Diversity of Hair Appropriate to Different Figures -- 56. On the Diversity of Stature Appropriate to Different Figures -- 57. In What Thing Beauty Consists, and Proportion of Bodies According to Marsilio Ficino and Painters -- Bibliography -- The Works of Giovanni Paolo Gallucci -- Primary Sources -- Secondary Sources -- List of Illustrations -- Index of Proper Names -- About the team.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.