000			03286nam a22003973i 4500
001			EBC6734878
003			MiAaPQ
005			20220623112357.0
006			m o d |
007			cr cnu||||||||
008			220617s2021 xx o ||||0 eng d
020			_a9781800858626 _q(electronic bk.)
020			_z9781800859517
035			_a(MiAaPQ)EBC6734878
035			_a(Au-PeEL)EBL6734878
035			_a(OCoLC)1249445535
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
082	0		_a792.0941835
100	1		_aCorporaal, Margu�erite.
245	1	2	_aA Stage of Emancipation : _bChange and Progress at the Dublin Gate Theatre.
264		1	_aLiverpool : _bLiverpool University Press, _c2021.
264		4	_c{copy}2021.
300			_a1 online resource (248 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aCover -- Contents -- Acknowledgements -- List of Illustrations -- List of Contributors -- 1. Introduction: A Stage of Emancipation -- Part I: Liberating Bodies -- 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) -- 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland -- Part II: Emancipating Communities -- 4. 'Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youth's the Season-? -- 5. Images and Imperatives: Robert Collis's Marrowbone Lane (1939) at the Gate as Theatre for Social Change -- 6. Authenticity and Social Change on the Stage in the 1970s: 'Communicating with the People' -- Part III: Staging Minority Languages -- 7. Miche�al mac Liamm�oir, the Irish Language, and the Idea of Freedom -- 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure -- Part IV: Deconstructing Aesthetics -- 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre -- 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen -- Part V: Contesting Traditions in Contemporary Theatre -- 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre -- 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion -- Index.
520			_aUncovering a wide range of marginalised histories of gender, class, language, ethnicity and sexuality, this volume shows how the Dublin Gate Theatre (est. 1928) played various emancipatory roles in Irish culture and society, both under the directorate of its founders, Hilton Edwards and Miche�al mac Liamm�oir, but also in more recent times.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
655		4	_aElectronic books.
700	1		_aRuud, Ruud van.
776	0	8	_iPrint version: _aCorporaal, Margu�erite _tA Stage of Emancipation _dLiverpool : Liverpool University Press,c2021 _z9781800859517
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/ostimteknik/detail.action?docID=6734878 _zClick to View
999			_c16709 _d16709