000 | 00768nam a2200217Ia 4500 | ||
---|---|---|---|
008 | 220826s9999 xx 000 0 und d | ||
020 | _a978-9-08964-754-2 | ||
020 | _b978-9-04852-527-0 | ||
040 | _aEnglish | ||
245 | 0 | _aTechnology and Film Scholarship | |
245 | 0 | _bExperience, Study, Theory | |
245 | 0 | _cHidalgo, Santiago | |
260 | _bAmsterdam University Press | ||
260 | _c2018/01/01 | ||
500 | _a22573/ctt1zqk404 | ||
500 | _aFilm Theory in Media History | ||
650 | _aPERFORMING ARTS / General;PERFORMING ARTS / Film & Video / General;PERFORMING ARTS / Film & Video / History & Criticism | ||
856 | _uhttps://www.jstor.org/stable/10.2307/j.ctt1zqrmrh | ||
907 | _a10.2307/j.ctt1zqrmrh | ||
910 | _aBooks at JSTOR Film Studies 2018 (Set 1) | ||
999 |
_c44020 _d44020 |